If exit polls can
be believed, issues of moral values were among the most important
factors in last week's presidential elections. Pundits are still
weighing the meaning of that vote and what it means for public
policy. Yet buried beneath the election news, the values issue was
also raised last week in a much different context, the fight
against the theft of intellectual property on the Internet.
Ironically, the motion picture industry-rarely seen as a hotbed of
traditional morality-is leading this fight. It announced that it
will file lawsuits against individuals found illegally trading
copyrighted movies over the Internet.
At issue is the
unauthorized downloading of copyrighted material off the Internet,
without payment to the owners. Typically, such downloading is done
through "peer-to-peer," or P2P, networks, such as "eDonkey." These
networks allow users to share files on their individual PCs with
other network users. In this way, music, movies, and virtually
anything else that is digital can be quickly and costlessly
distributed to millions of other P2P users. According to one
estimate, as of June of this year some eight million users were on
P2P networks at any given time, sharing 10 million gigabytes of
data.
The result is a
massive theft of intellectual property, as users obtain works
without authorization from-or payment to-their creators. So far,
the main target of P2P downloading has been music, for the simple
reason that digitized songs are smaller than digitized movies and
can be more easily downloaded. But the rapid proliferation of
high-speed Internet access, combined with new technology to shrink
the size of movie files, has put the film industry at risk as well.
Video files accounted over 30 percent of all P2P files transmitted
in March 2004, up from 16 percent the same time in 2003. As many as 150,000
movies may be being traded on the Internet each day.
Starting last
year, the music industry-through the Recording Industry Association
of America, its trade association-has been filing suits against
individuals using P2P networks to share music files. The movie
industry, on the other hand, opted to focus on public awareness
efforts and launched a broad campaign to educate consumers that
downloading copyrighted material without paying for it is
wrong.
On Thursday,
however, the Motion Picture Association of America (MPAA), the
trade association for the movie studios, announced that it would
file civil lawsuits against individual offenders. The first suits
will be filed on November 16. If found liable, offenders face fines
of as much as $30,000 for each movie copied or distributed over the
Internet, or as much as $150,000 if the infringement is found to be
"willful."
Filing lawsuits is
a controversial strategy for Hollywood, and the demagoging has
already begun-for example, as one MPAA opponent put it, "Suing 13
year olds and taking their college money isn't the best
approach."
Yet few question the legal liability of downloaders under copyright
law. And the stakes are high for the industry and consumers: the
billions in revenue lost through Internet downloading could mean
higher prices for law-abiding movie fans or could discourage
production of financially risky pictures.
Moreover, direct
legal action against infringers is far preferable to many of the
other approaches to the P2P download problem that have been
discussed in Washington. Many, for instance, have urged federal
regulation of PCs, DVDs, and other devices that could be used to
copy movies and music, in order to make infringement more
difficult. Other proposals would extend legal liability to
manufacturers of these devices. Policymakers, however, should be
extremely wary of such a regulatory approach. Any regulation of the
fast-changing world of the Internet and consumers electronics would
likely hinder valuable innovation, as well as increase costs to
consumers.
Of course,
lawsuits by themselves are unlikely to solve the P2P download
problem. Continued education also needs to be pursued so that
potential file-swappers understand why the unauthorized downloading
of copyrighted material-like other forms of theft-is wrong. Another
part of the solution is likely to be development of new
technologies that allow copyright holders to make copying protected
works more difficult.
Stemming the tide
of illegal downloading will not be easy, but going after the worst
offenders now, before movie downloads surpass music downloads,
could prove to be a wise choice. Protecting property rights without
imposing undue limits on private markets will involve many
difficult choices. However, suing individuals engaged in theft of
intellectual property through file swapping is not one of them.
James L.
Gattuso is Research Fellow in Regulatory Policy in the Thomas A.
Roe Institute for Economic Policy Studies, and Norbert J. Michel,
Ph.D., is a policy analyst in the Center for Data Analysis, at the
Heritage Foundation.